One thing you don't get from digital photography is a nice long piece of film. Very physical, very concrete, compared to pixels, anyway. Because of the nature of plastic cameras (double exposures, panoramics, and lots of terrible frames), I only tell the lab to develop the film, and to leave it uncut. That way, I can cut the film myself, however I need, and then scan only the prints that seem worthy. The scanning often involves multiple images at once for speed's sake, but it also creates interesting combinations, pairs of images that go together.
-llg